Logo Design Process

Peeps, I know its been a long time coming, but I'm looking to be more regular this year.

As you may or may not know, I have joined forces with my brother's publishing imprint - Bolt Comics.

For more info about current products you can go here:

boltcomics.net

The big news for me since I last blogged is that my first full length comic, title 'A Brigands Tale' is more than half way done, and will be completed hopefully by the end of February.

So to celebrate, I thought I would go through how the logo for the title was created.

I decided it would not be a good use of my time to DIY a logo, so I got letterer extraordinaire Nic J Shaw to design one for me.

It started with a basic idea:

I had told Nic what the basic feel of the book was and from there he created some options:

From there I decided on the final design, Nick asked me to give him the Hunter's Guild Logo, so I whipped this up in Powerpoint:

Leaving us with the fabulous finished product below:

Nick worked super-fast and the whole thing took about 4 days with back & forth emails etc.

If I had to do it myself, it would have taken me hours, and given me less time to work on my comic.

Sometimes it pays to get someone else to do stuff, especially if they are better at it than you! 

Apart from being in high demand for his lettering skills, Nick is just about to launch a free webcomic that he  is writing called "Action Johnson" its coming real soon go to actionjohnson.com for more info.

As always I welcome any comments or questions you may have!

You can follow me on Twitter here:  @TheDanTribe 

A Brigands Tale and distinctive likenesses thereof  are Trademark & copyright Daniel Tribe.

Digital - nil, traditional 1!!

Bummer dudes!

I lost an entire book (28 pages) worth of thumbnails when I tried to re-set some page sizes in Manga Studio last Thursday night.

I think I can go off memory but  this has really upset my apple cart in the digital vs traditional battle.

The new one thing I love about traditional is that it can't be erased due to operator stupidity...
...like page 1 below. 

Anyways, lesson learned, back up the file BEFORE you attempt to change anything and for me anyway, I will be pencilling the rest of the book before scanning it so I have originals to refer to!!!

In other exciting news, Nowra now has an art gallery display place called Squid Studio!!

Locals can like it here:

www.facebook.com/squidstudionowra

They have drawing nights and everything, very cool.

I am thinking I will try and launch 'A Brigand's Tale' there once it is complete!

Another local who will be exhibiting at Squid in December this year is one of my fave's the Heroic Master of Pens (I call him HMOP for short, and at other times, Tom).

He is truly heroic as he works only in ink, no pencils or rubbing out, check out his blog for some more cool stuff!

http://heroicmasterofpens.blogspot.com.au

As always, any comments or questions on this topic or my comic stuff are welcome...

 
Next time: Creating Maquettes for reference - a new experience

Follow me on twitter: @TheDanTribe
All artwork is copyright their respective creators.

Fun with making Digital comics...???

As readers of my previous posts may be aware, I'm working on creating an efficient process to churn out my upcoming webcomic, A Brigand's Tale.

In the coming weeks I will be interviewing some other Aussie creators and picking their brains on how they get stuff done in my search to find (in my best anime voice) 'The Ultimate Technique of The Comic Making Process!'

I was going to use today's post to demonstrate my adventures of dabbling into digital artwork from woe to go, so far though as soon as I start using my PC to do art stuff there's a whole lot more woe than go.

As luck would have it, my tablet and stylus gave up the ghost early in the week, this is what I came up with before said hardware pooped itself:

The non pressure sensitive tablet really did not work out so great for me in this instance using Photoshop. However I do like some of this guy's visuals so its not bad for a first prototype. Not sure it has captured his flamboyance as a teleporting koala, but it's a start...

Changing landscape

So I normally do all my comic work in portrait format but my research indicates webcomics are much better in landscape. Mostly because you can see the whole page when you land there, avoiding people just leaving because as we all know scrolling down is too hard.

This is as far as I got before the aforementioned pen tablet died:

I found the brushes on Manga Studio to be pretty cool, however still not like the real thing (though generally I prefer using steel nibs).

I'm also having trouble figuring out appropriate line weights because when you zoom in & out its easy to lose sight of what needs to be thicker/thinner etc. Also not sure about colour, but as I was experimenting I thought "oh, what the heck!".

This was also meant to be an opening splash page, or at least an attempt at one. Further complicating the whole line weight thing.

Once again I made the rookie mistake of drawing from the hip instead of referencing, which is why there is no actual perspective at all in the page...

On the whole it turned out ok as a test (I wouldn't publish it like this) and I dig the idea of having a really rough 'pencils' layer and then digitally inking on a nice clean layer. There seems to be some good logic to the digital process for at least 2 really good reasons.

1) No messy piles of paper/ink/pencils etc filling up the dining table - thus avoiding the wrath of the wife, and the tidying up and then bringing it all back out again if we have guests who for some reason need to use the table...

2) The entire scan/cleanup stage is eliminated. For me this could be the greatest time saver ever. Allow me to elaborate, the art style for A Brigand's Tale was always intended to be Black & white, but with midtones created by ink washes

Here is an example of an early page before I decided to go landscape:

 I reckon it looks pretty good, BUT trying to clean up ink wash on Photoshop took about 4 hours a page, longer than actually drawing the page! Even then there are still areas that aren't right, for example the sword clash in panel 2 only has 1 sword, the other has been erased by my "cleaning up".

So I really need to spend less time in the transitioning stages and just getting the pages done.

If you haven't checked out abominable.cc please do, - it's an Eisner award winning webseries - entertainment wise it is brilliant, however its also instructional as Karl Kerschl manages to create a great wash effect using Photoshop. By so do proving that I want to do is quite possible. In future updates I will let you see how my attempts go.

Now I know that all seems lost for digital on the face of it, I mean my pen tablet is cactus. You folks must be thinking "is this guy gonna try the digital process with a mouse or something??"

Fear not dear reader, my savior is currently en route from Wacom and will be shipping to me week commencing 25th May.

What am I talking about why this of course:

the CINTIQ 13HD!!!!

Watch the showreel here:

http://www.youtube.com/watch?feature=player_embedded&v=najTA3Dyamk 

Drawing directly on the screen should be the time saver I'm after. As always the blog will record the progress.

Feel free to comment, especially if you have an different experience, perspective or opinion, I will do my best to respond to them.

Til next week, remember - don't make excuses, make comics!

Dan

Next Week:

Work processes of a 700 plus page dynamo!

Follow me on Twitter: @TheDanTribe

All artwork is Trademark & copyright respective creators, artwork is used for review purposes only.